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How Netflix’s ‘A Different World’ Became A Hillman Homecoming
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Though it belongs to the golden era of Black sitcoms that helped define ’90s television, “A Different World” has proven to be anything but a relic. If anything, the lore surrounding the beloved sitcom has only made it more cherished in the 30-plus years since it unceremoniously went off the air. That’s largely due to the show’s groundbreaking reach. It was unlike anything a Black-centered series had achieved on primetime television before. At one point, it even outperformed its parent series, “The Cosby Show,” in ratings, becoming one of the top five most-watched shows on TV. But perhaps its most significant — and widely recognized — legacy is the role it played in boosting enrollment at historically Black colleges and universities during its six-season NBC run, and years after, thanks in part to its portrayal of student life at the fictional HBCU, Hillman College. For Black audiences, the show’s impact was even more personal. For what felt like the first time, we saw characters on our screens who looked, talked and thought like us, all navigating the formative years of young adulthood in a space that had once seemed almost too sacred for network television. Not every series can leave such a powerful mark on pop culture, much less stay relevant long enough to become a true fixture. But then again, not every TV show had what “A Different World” had. Back in the late 1980s and early ’90s, the average person who wasn’t attending an HBCU themselves had never been given such an intimate glimpse into the lives of Black college students and how they navigated the world around them. It wasn’t until a “Cosby Show” spinoff came along, following second-eldest daughter Denise Huxtable (played by Lisa Bonet) through her freshman year, that audiences nationwide and around the world finally had a window into Black higher education. In its first season, Hillman, the Virginia-based institution that’s become a brand of its own, gave us a place to see students like Whitley Gilbert (Jasmine Guy), Dwayne Wayne (Kadeem Hardison), Ron Johnson (Darryl M. Bell) and Jaleesa Vinson (Dawnn Lewis) in their natural element. But as has been widely noted over the years, the show’s understated debut lacked the depth that would later define it, following a straightforward formula that largely left race and politics out of the conversation, even at a Black institution. It wasn’t until multi-hyphenate Debbie Allen stepped in as the show’s chief creative director in its second season that “A Different World” truly began to find its voice, finally offering a more authentic depiction of the HBCU experience that Allen knew firsthand from her time attending Howard University. “There was no hot sauce on the table,” she told me — literally and figuratively — summing up everything the show was missing. Allen also pointed out that “there was no Greek life” on the show, despite the Black sororities and fraternities she remembered seeing on the Yard at her alma mater. “There was no real cultural identity to the show,” Allen added. To her, the series also wasn’t asking enough of the deeper questions. “What are these young people thinking about? Yes, they’re coming to school and [navigating] relationships, friendships, romance,” she said. “But what are they trying to do in the world? What is the world doing to them that they need to change? How is the world?” Allen is too humble to claim sole credit for transforming “A Different World” into the sharp, witty sitcom audiences came to know and love. She points instead to head writer and executive producer Susan Fales-Hill, who worked across all six seasons and wrote 23 episodes, as well as “a team of writers that had so many incredibly gifted” talents, including acclaimed directors Gina Prince-Bythewood and Reggie Rock Bythewood. Still, it was Allen’s co-leadership that gave “A Different World” the freedom to reject the sitcom standard of easy laughs and buffoonery and embrace something more daring. And that’s exactly what it became. There was no real cultural identity to the show. Under her creative direction, the series fearlessly tackled racism, colorism, apartheid in South Africa, intimate partner violence, date rape, gang rivalries, the foster care system, the Persian Gulf War, the AIDS epidemic and a host of other pressing issues that were very much relevant to society at the time — and some that remain so today — yet were rarely given serious attention on sitcoms. The show also introduced a dynamic ensemble of characters whose personalities and perspectives brought even more energy to Hillman’s campus. There was Kimberly Reese (Charnele Brown), the ambitious pre-med student determined to become a doctor; Winifred “Freddie” Brooks (Cree Summer), the quirky free spirit with a passion for social justice; Colonel Bradford Taylor (Glynn Turman), the strict but warmhearted military veteran and math professor; Mr. Gaines (the late Lou Myers), the beloved campus cook who became a father figure to many; and, later, Lena James (Jada Pinkett Smith), the fiery freshman who always said exactly what was on her mind. Of course, “A Different World” still had plenty of stories left to tell about HBCU life — and the world beyond Hillman — through the characters audiences had grown to love before quietly wrapping its run in 1993. “The truth was the network actually had offered a spinoff, which would have been Dwayne, Whitley, Ron and Freddie as roommates,” Allen recalled. “I think that’s when ‘Friends’ came into being because we didn’t take that. Because Jasmine wanted to not have to play Whitley her whole life. She wanted to try something different, but we also went off the air, very unceremoniously. I mean, toward the end, they would change our time, our date. It was like people were trying to find us, and then all of a sudden, we were just gone — no party, no bottle of champagne. It was just kind of over.” “The politics of network television had a lot to do with that, and I was not privy to all of that,” she added. “But we knew we had done a great job by the time we finished.” Still, Allen knew there was unfinished business with “A Different World.” For more than a decade, she had made repeated, determined efforts to bring the seminal sitcom back. And now, that long-awaited return is finally a reality, thanks to a Netflix sequel. Last fall, Netflix announced plans to bring “A Different World” back — this time as a 10-episode dramedy that welcomes a new class of students to Hillman. Led by showrunner Felicia Pride, the series, billed as a continuation of the original and carrying the same title, follows the next generation of the Hillman family. At its center is Deborah (Maleah Joi Moon), the youngest daughter of Whitley and Dwayne, the longtime couple fans last saw preparing to welcome their first child in the original series finale. Now parents of three and empty nesters, Whitley and Dwayne insist Deborah attend their alma mater after her NYU acceptance is rescinded following a warehouse fire she caused. Setting foot on Hillman’s campus, Deborah is determined to step out of her parents’ shadow and carve out an identity of her own. Along the way, she finds her place alongside fellow legacy and first-generation students Shaquille (Cornell Young IV), Rashida (Alijah Kai), Kojo (Chibuikem Uche), Amir (Jordan Aaron Hall) and Hazel (Kennedi Reece), all of whom navigate the growing pains of college life in their own way, much like those who came before them. But the new Hillman class also gets a little help from some familiar alumni during their freshman adventures, with Guy, Hardison, Summer and Bell all reprising their respective roles in the sequel — a welcome reunion for longtime fans. “It’s very significant,” Guy said, adding that it’s “exciting” to be working with her old friends again. “It’s significant that our characters survived over these last 30 years, and are still relevant to so many generations of people now.” As Bell recalls, while “A Different World” became a cultural phenomenon and was a “ratings success” during its original run, that same enthusiasm wasn’t always shared within the industry. Its relatively sparse awards recognition over six seasons speaks to that disconnect (the series received just three Emmy nominations, two for guest performances by Whoopi Goldberg and the late Diahann Carroll). “The industry has never looked at our show in the same context that our success had for a top-five show relative to our peers, but our audience always has,” he said. “Every day when someone says, ‘I went to an HBCU because I watched “A Different World,” or ‘I’m a doctor, I’m a lawyer, I’m an engineer, because I watched “A Different World”’ … That’s the way in which we receive love.” Allen always envisioned a revival of “A Different World” that brought the original cast back to their old stomping grounds. “There is no ‘A Different World’ without the OGs,” she said. “There’s an expectation, and that is a well-earned expectation, because you want to see, where are they now? Who are the students now?” As viewers will soon see, some characters, including Whitley, Dwayne and Ron (whose only son is Shaquille), now have children who are legacy students at their alma mater, carrying on the Hillman tradition, which felt “very realistic” to Pride. “We were really interested in ways to organically have our legacy cast have storylines in the show,” the showrunner explained. Those, like Freddie, who don’t have direct family ties to the new Hillman class, have returned in the sequel as professors, passing along the wisdom they’ve gained to the students now following in their footsteps. And others who appear throughout the series serve simply as supportive alumni, embodying what it means to “still interact, engage with, support and fight for their school,” as Pride put it. As for why now is the right time to bring “A Different World” back to the forefront, amid an already crowded era of sequels, reboots and revivals, both Pride and Allen believe young Black America deserves to have its voice heard again. “Right now today, HBCUs are under siege. Their federal funding is just slashed. Funding that was maybe even half of the support for helping young students find their way through college,” Allen pointed out, hinting at a storyline from the sequel. That’s “A Different World” doing what it does best: reflecting the times again, particularly at a pivotal point in America’s political climate. Although Netflix’s new series doesn’t directly name-drop President Donald Trump or his controversial policies, it confronts the real-world effects of the current administration head-on. “We’re trying to educate America,” Allen said of the sequel’s purpose. “It’s been quite a commotion and an unrest about government involvement in private institutions of education, even ones that they’re funding … And so we’re at a time now where education is being challenged all over. Not just HBCUs, but everywhere.” “Young Black people have an opinion about that,” she continued. “And then the whole dismissal of any kind of effort with DEI or affirmative action that would help level the playing field. It’s a difficult time.” The timeliness of this new chapter of “A Different World” makes it all the more fitting that the Netflix sequel will premiere Sept. 24, exactly 39 years to the day after the original series debuted. “That was intentional for sure,” Pride told HuffPost. “Netflix saw an opportunity and was like, ‘We can make it work.’ Of course, that meant that we had a tight [production] schedule, but it worked out perfectly.” Indeed, the Netflix series arrives less than a year after the streamer officially greenlit the project, with production wrapping in April following filming at Atlanta HBCUs Morehouse College, Spelman College and Clark Atlanta University. Partnering with the Atlanta University Center (AUC) to give Hillman a new home not only fully immersed the cast in the HBCU experience, but also allowed the series to incorporate elements the original show couldn’t capture while filming on a Hollywood soundstage. “Being able to have that texture of not just the physicality of an HBCU campus, but our background performers too,” Pride started, noting that 59% were either HBCU graduates or current HBCU students. “They just added so much energy and authenticity to our show that I love so much, so it was such a huge gift.” The Netflix production also hired real HBCU students as production assistants and invited them to serve on a council advising the show’s writers’ room. One of the series’ main cast members, Reece, is a recent Howard graduate herself, having been scouted by fellow alumnus Allen during auditions at their university. But filming at the AUC was also a special treat for some of the original “A Different World” cast members, as it brought back fond memories of another college-set story they filmed there: Spike Lee’s 1988 classic film “School Daze.” “It’s one of the first things I said when we arrived in Atlanta,” Bell shared. “Particularly, Jasmine, Kadeem and I, we started in ‘School Daze.’ We met in 1987, and here we are in 2026.” It’s surreal, to say the least, for the legacy cast to find themselves part of the next chapter of their trailblazing ’90s sitcom all these years later. Even after everything the show has come to mean in the decades since, they never imagined it would return in such a big way — or that it would still be met with so much love from audiences. “[I remember] we had been out on the ‘A Different World’ [HBCU] tour,” Bell recalled, “and that experience for all of us being together in front of live audiences, at least, when we did our appearance at Spelman— when we walked onto that stage at Sisters Chapel, you’d have thought the Beatles walked out.” He added, “We never got our flowers like that.” That’s what made their latest cast reunion all the more rewarding, as fans eagerly look forward to reconnecting with their favorites. For the OGs, making the leap from network TV to today’s streaming era has been new territory — as has their grandiose press tour — but they’re just as excited to return to Hillman, step back into their iconic roles and share them with a new generation of viewers. “We get to introduce this beautiful new generation of freshmen,” Summer said with pride. “‘A Different World’ has always been a multi-generational show, and now we get to have these beautiful new kids, and you get to find out where your beloved characters are today, which I think is what people were so curious about.” Plans for an “A Different World” revival had been in the works for Allen for years before the Netflix iteration finally came together. Some of those efforts were reportedly stalled by people’s reluctance to be involved with a project affiliated with creator Bill Cosby after allegations of sexual assault against him came to light. Still, Allen kept in touch with the original cast throughout the years, keeping their hearts and minds open for the day they could come together again. “I kept their heartbeat [going] that this was going to happen,” she said. “I kept that heartbeat alive.” "A Different World" has always been a multi-generational show, and now we get to have these beautiful new kids, and you get to find out where your beloved characters are today. Even so, the constant rumors of an “A Different World” comeback began to wear on the cast, with some eventually losing hope that it would ever happen. “No one was more shocked than we were,” Summer recalled of learning the sequel was finally happening. “It had been batted around for so many years and rumored for so long that we really lost steam. And when people would bring it up, our stock answer would be, ‘It’s never going to happen.’” “So it is a beautiful miracle and a great surprise,” she added. It was also a joy to have everyone back together again once filming began, according to the cast and Allen, even if it took them a minute to get back into their rhythm. “We could hardly get any work done because we were laughing and talking so much,” the latter remembered, “but it was just wonderful. It was glorious.” Allen couldn’t have brought this “A Different World” project to life without recruiting Pride. She handpicked her for the showrunner role after the two developed a rapport while working together on “Grey’s Anatomy” — and she’s more than happy to brag about it: “I did. I’m gonna take the credit, because she tried to slip away,” Allen told me, giddily. Pride initially hesitated to take on the opportunity, previously telling HuffPost that she felt intimidated by the prospect of continuing such a classic story. “I’m still intimidated, chile,” she jokingly admitted in a recent interview, but sharing the first full trailer for the sequel with audiences last month helped ease some of those nerves. “I think people needed to see what we were doing,” Pride added. For the legacy cast, one of the most exciting parts of reuniting for the Netflix sequel was discovering where their characters’ lives had taken them since viewers last saw them. Those storylines, which play out over the show’s first season, grew out of ideas Pride and the writers’ room cooked up as they carefully considered “where we were left off with them in the original series, and then imagining the directions their lives could have taken.” “Once they started seeing the material, they started to understand the direction we were going in, and I think they were really excited about it,” said Pride. “We got to hear their thoughts on their characters and incorporated pitches that they had, and really let them lead where they felt their characters were these 40 years later. So it was really, really fantastic to work with them, and to watch them drop in like it was nothing.” According to Pride, continuing “A Different World” always meant bringing back Dwayne, Whitley, Ron and Freddie as the core four. But drawing on what she learned from Peacock’s “Bel-Air,” another modern reimagining of a ’90s classic, the writer-director knew she and the show’s production team could take a more creative approach with the other returning cast members throughout the first season. Along with Brown, Lewis, Turman and Pinkett Smith, the sequel also welcomes back Ajai Sanders as Gina Deveaux, Karen Malina White as Charmaine Brown and Jenifer Lewis as Professor Dorothy Dandridge Davenport, plus a few surprises viewers will have to tune in to catch. And if the show has its way, it hopes to bring even more OGs back for surprise appearances in a potential second season, with Bonet’s Denise at the top of the wish list. “Lisa Bonet was the catalyst of this whole show,” Allen explained. “So yeah, to have her [in the sequel] is very important, and we’re working our way.” “I mean, I was able to bring in a lot of our OGs, and I’m in touch with— I’m not gonna give you any spoilers right now, honey. But the minute they say Season 2, the people that we’re going to book, that’s just going to make you smile,” she teased. One of the biggest questions surrounding Netflix’s “A Different World” is whether it can recapture the original’s sharp, socially conscious spirit while tackling issues affecting Gen Z today, from political activism in the social media age to sexual and mental health to the Trump administration’s aggressive immigration enforcement. Pride is confident the sequel rises to the occasion, as she and the writers frequently referenced specific episodes from the original for inspiration. “Of course, the [Los Angeles] riots episode was huge,” she said, referring to Season 6’s two-part opener, where Dwayne and Whitley’s honeymoon collides with the 1992 LA uprisings sparked by the Rodney King verdict. “The AIDS episode with Josie [played by Tisha Campbell], and the episode where Ron and Dwayne fight the racists. We refer to the original series all the time, in different ways,” Pride continued, “but it was important coming into this that we had a certain level of consciousness and also intellectualism.” One episode the showrunner is particularly proud of centers on a classroom discussion of bell hooks’ landmark book All About Love, with Freddie challenging her students to examine patriarchy, toxic masculinity and apathy, and how losing touch with love has left people less connected to the causes that matter. “I’m really proud of the intellectualism that we show,” Pride said, “because that’s what we also saw in the original series. I want to see young Black people engaging in intellectualism.” While the new Hillman students have plenty of fun along the way, the sequel also isn’t afraid to revisit the kinds of conversations that made the original so ahead of its time, now through a more contemporary lens. “It’s time for us to revisit some of the stories and topics we tackled before through new eyes,” Bell added. I want to see young Black people engaging in intellectualism. That’s also why the shift in visual style is significant in this version of “A Different World,” which moves away from the original’s multi-cam, live-audience setup to a single-cam approach that embraces its dramedy elements and real-life setting. “In terms of wanting to bring the show to life 40 years later, we had to think about what are the ways that we’re watching television now?” Pride noted. “We’re typically watching television as a single-cam. And in addition to a single cam, a lot of our comedies these days are dramedies, and we really wanted to lean into both the dramatic as well as the comedic moments of this world of Hillman, and really ground it in a way that felt like now.” The shift was also intended to help the show resonate with today’s viewers, as Pride hopes it can become for them what the original was for her when she watched it after school growing up in Baltimore. “This show is an evolution for the next generation,” she said. “I grew up watching ‘A Different World’ in real time with my family. So I want the feelings that I had [for the original show] for the next generation for this show.” That vision also extended to creating characters who could bring new, resonant perspectives to the Hillman story, including Aaron Hall’s Amir, the first openly queer student in the “A Different World” universe, and an international student, Uche’s Kojo, whose experience offers a glimpse into what it’s like to navigate an HBCU far from home for the first time. “I always wanted to have a real African student,” Allen shared when reflecting on her early ideas for the sequel. “At Howard University, we had the largest foreign student body of almost any college in America, and a lot of them were from Africa. That was something that I actually experienced,” and a perspective she wanted to bring to this new era. Allen was also drawn to the idea of “having a young girl from Compton be the smartest one” in Hillman’s freshman class, “because that is so true.” “There’s such a misunderstanding or perception of who we are as a people,” she said, “where our zip code defines us, but our zip code is not clear to a lot of people. No, some of the smartest people in the world come right out of what you call the hood or inner city.” “So [Pride] took that idea and she developed Rashida,” Allen added of Kai Haggins’ character. There’s also Reece’s Hazel, a small-town pastor’s daughter who, like the others, is experiencing life away from home for the first time, along with Ron’s football-star son, Shaquille (played by Young IV), whose storyline offers a closer look at the student-athlete experience — something “A Different World” previously explored only from the outside with characters like basketball star Dorian Heywood (played by Bumper Robinson). At the heart of the sequel, of course, was Deborah (pronounced De-Boor-Ah), who blends Whitley’s “lovableness” and her tendency to “put her foot in her mouth” with Dwayne’s “very good-intentioned” nature, as Joi Moon previously told HuffPost about her character. Pride believes Allen was responsible for naming the youngest Wayne, but the director insists she was “genuinely surprised and flattered” to see her own name in the show’s first script. There’s still so much to discover through this new generation of Hillman students, whose stories expand the legacy of “A Different World” in interesting new directions. Audiences will ultimately determine whether Netflix’s sequel lives up to the beloved original. For Pride, though, the win is already in seeing Hillman come alive again — and knowing it will soon be back on viewers’ screens. “I feel like we already succeeded,” she said proudly. “One, we got a show on the air, which is wild in itself. [Two], we got a show on the air that stars Black people and has Black people at the helm. [And three], we got a show on the air that is very Black in its approach, its perspective, its experience, and we hired a lot of Black people, too.” “To me, that is successful,” Pride continued, “because I can’t really control anything outside of that.” The skepticism is inevitable. But the cast and crew are asking viewers to at least hold off on casting judgment until they’ve actually seen what’s cooking, especially those who grew up loving the original series. “If they loved it the first time, they need to come on back and try it again,” Allen said with a smirk. “If you liked my yellow grits, honey, [40] years ago, come and see how I’m cooking them now. I’ve added a little something to it.” The first season of “A Different World” premieres on Netflix Sept. 24. 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